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MOCKERY MANOR

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Season 6 Episode 14
(Episode 104)


Lindsay Sharman and Laurence Owen of Long Cat Media, the creators of fiction podcast Mockery Manor, discuss working with themes of folklore and fairy tale in the construction of their popular show. We examine some of the folklore which has found its way into Mockery Manor as well as a wider discussion of this way of telling stories.

Visit Long Cat Media on the web here​

The Folklore Podcast is part of The Folklore Network, which aims to protect and preserve our folklore for future generations. To help support what we do, please consider a small donation via our website or joining our Patreon page.
Guest Biography
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LINDSAY SHARMAN: Lindsay has worked in the entertainment business as a performer, writer and theatre producer for over ten years. She has written seven original Fringe shows, garnering a raft of 5 star reviews, and toured the country in both her own and others’ productions. She has also racked up hundreds of performances as a character act and MC on the British stand-up and cabaret circuit. 

In her collaboration with Laurence, Lindsay has written five theatre productions: Madame Magenta: Libros Mystica (2014), the Malcolm Hardee Award winning Cinemusical (2015), Cinemusical High (2016), The Time Machine (2017), and Jekyll vs Hyde (2019), Broadway World Award nominee and Wilton's Music Hall Fringe Foundations Award winner.
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She is currently studying for a Masters on the UEA's prestigious Creative Writing: Scriptwriting course.
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​LAURENCE OWEN: Laurence Owen is a composer, sound designer and voice actor. He began acting as a child, appearing in 
Wilde with Stephen Fry and Jude Law, Mumbo Jumbo with Brian Blessed, the BBC drama serial Berkeley Square, and a wide array of stage productions. He has been working as a full-time composer and sound designer since 2011. 
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His stage work includes composing and musical direction of Cat & Mouse (Village Underground), arrangement of songs by Richard Thomas (Jerry Springer: The Opera) for My Left Right Foot (National Theatre of Scotland), sound design for 1927's Golem (Young Vic, Trafalgar Studios), for which he was nominated for a ProSound Award. He has written media music for the BBC, Toyota, O2, Stella Artois, Embraer, Sipsmith, ARTE, The Beano, Historic Royal Palaces and the V&A Museum. 
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His film composing credits include the Sundance Film Festival-selected White Morning, which earned him two music award nominations at SoundTrack Cologne Festival.
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  • Home
  • About Us
  • LIVE EVENTS
    • Lectures
  • Reviews
    • Book Reviews
    • Film Reviews
  • The Podcast
    • Season 1
    • Season 2
    • Season 3
    • Season 4
    • Season 5
    • Season 6
    • Season 7
    • Season 8
    • Bonus Content
    • Guests
  • Folklore Shop
    • Tickets
    • Lectures
    • Merchandise
    • Donations
    • T-shirts
    • The Book Shop
    • eZine Supplements
  • Support
  • Contact