TITLE: Dick Turpin: Fact and Fiction
AUTHOR: Jonathan Oates
PUBLISHER: Pen and Sword
ISBN: 9781399070614
PODCAST EPISODE: None
REVIEWER: Hilary Wilson
“...How well do we know…historical figures, who are often referred to in the media and popular culture, though about whom experts often differ, and how far does that little knowledge shape our sense of the past and inspire our present and future?”
This question concludes Dr. Jonathan Oates’ book, Dick Turpin: Fact and Fiction. Published March 30th, 2023 by Pen & Sword, this is the latest in a long line of books written about Dick Turpin since his death in 1739. Few figures have captured the British imagination quite like Dick Turpin. Arguably eclipsed only by Jack the Ripper and Henry VIII in terms of British celebrity, he is perhaps more aptly compared to the mostly fictional Robin Hood. The Robin Hood comparison is even more apt considering just how much pop culture has perverted the truth of this historical figure.
Oates does a wonderful job washing away the morass of fiction surrounding Dick Turpin. The first half of the book is dedicated solely to providing the most accurate biography possible for a figure far removed from the present. He breathes life into the other members of the Gregory Gang as well and establishes Turpin as a criminal of his time. Turpin, unlike the fictional depictions of him, did not steal from the rich to give to the poor. Nor was he a young farmer ousted from his home and forced into a life of crime. He was an apprentice butcher, likely in a town near where he grew up in Essex, who turned to crime after already having helped the deer-stealers active in the nearby Epping Forest. Nothing more, nothing less.
Oates is dutiful in his account, neither exaggerating as others have – we don’t know that Turpin truly tortured Mrs. Shelley or if he was actually responsible for King’s death – nor being overly sympathetic to the man. Ultimately, there is much about him that is entirely unknowable. He was not a particularly well-liked man during his lifetime, yet he commanded a good deal of media attention. Why was that? What was it about the criminal that turned him from a ruthless criminal to the beloved Highwayman the media portrays today?
Some of the appeal of Turpin’s appeal traces back to William Harrison Ainsworth’s Rookwood and the attribution of the horse ride from London to York on Black Bess. Oates traces the legend of the ride back to a previous legend, that of Swift Nicks. Oates takes care to chart not only the film and television career of Turpin through the ages, but also the literary one. Stark throughout all of these is a reluctance to truly face the facts. Never is he depicted with a pockmarked face, and always he is the master horseman, on his beloved Bess.
Perhaps Turpin captivates us because the threat of the Highwayman belongs to the distant past. We can enjoy the aesthetic of his tricorn hat and red coat, the dashing man riding his beloved black horse and brandishing his dual pistols and sword on a more forgotten landscape. We can turn his cause into that of robbing the rich for the commoners rather than robbing anyone at all for his own good. Oates provides an excellent and thorough analysis of the intriguing life of Turpin and the media surrounding him.
AUTHOR: Jonathan Oates
PUBLISHER: Pen and Sword
ISBN: 9781399070614
PODCAST EPISODE: None
REVIEWER: Hilary Wilson
“...How well do we know…historical figures, who are often referred to in the media and popular culture, though about whom experts often differ, and how far does that little knowledge shape our sense of the past and inspire our present and future?”
This question concludes Dr. Jonathan Oates’ book, Dick Turpin: Fact and Fiction. Published March 30th, 2023 by Pen & Sword, this is the latest in a long line of books written about Dick Turpin since his death in 1739. Few figures have captured the British imagination quite like Dick Turpin. Arguably eclipsed only by Jack the Ripper and Henry VIII in terms of British celebrity, he is perhaps more aptly compared to the mostly fictional Robin Hood. The Robin Hood comparison is even more apt considering just how much pop culture has perverted the truth of this historical figure.
Oates does a wonderful job washing away the morass of fiction surrounding Dick Turpin. The first half of the book is dedicated solely to providing the most accurate biography possible for a figure far removed from the present. He breathes life into the other members of the Gregory Gang as well and establishes Turpin as a criminal of his time. Turpin, unlike the fictional depictions of him, did not steal from the rich to give to the poor. Nor was he a young farmer ousted from his home and forced into a life of crime. He was an apprentice butcher, likely in a town near where he grew up in Essex, who turned to crime after already having helped the deer-stealers active in the nearby Epping Forest. Nothing more, nothing less.
Oates is dutiful in his account, neither exaggerating as others have – we don’t know that Turpin truly tortured Mrs. Shelley or if he was actually responsible for King’s death – nor being overly sympathetic to the man. Ultimately, there is much about him that is entirely unknowable. He was not a particularly well-liked man during his lifetime, yet he commanded a good deal of media attention. Why was that? What was it about the criminal that turned him from a ruthless criminal to the beloved Highwayman the media portrays today?
Some of the appeal of Turpin’s appeal traces back to William Harrison Ainsworth’s Rookwood and the attribution of the horse ride from London to York on Black Bess. Oates traces the legend of the ride back to a previous legend, that of Swift Nicks. Oates takes care to chart not only the film and television career of Turpin through the ages, but also the literary one. Stark throughout all of these is a reluctance to truly face the facts. Never is he depicted with a pockmarked face, and always he is the master horseman, on his beloved Bess.
Perhaps Turpin captivates us because the threat of the Highwayman belongs to the distant past. We can enjoy the aesthetic of his tricorn hat and red coat, the dashing man riding his beloved black horse and brandishing his dual pistols and sword on a more forgotten landscape. We can turn his cause into that of robbing the rich for the commoners rather than robbing anyone at all for his own good. Oates provides an excellent and thorough analysis of the intriguing life of Turpin and the media surrounding him.